“I don't know whether it's age or maturity, but I certainly find myself committed more and more to the looser forms of Western democracy at any price.”
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It's part of a writer's profession, as it's part of a spy's profession, to prey on the community to which he's attached, to take away information - often in secret - and to translate that into intelligence for his masters, whether it's his readership or his spy masters. And I think that both professions are perhaps rather lonely.
I worked for MI6 in the Sixties, during the great witch-hunts, when the shared paranoia of the Cold War gripped the services.
Novelists are not equipped to make a movie, in my opinion. They make their own movie when they write: they're casting, they're dressing the scene, they're working out where the energy of the scene is coming from and they're also relying tremendously on the creative imagination of the reader.
The Secret Intelligence Service I knew occupied dusky suites of little rooms opposite St James's Park Tube station in London.