“It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200, 000. And if you were going to build it in a computer, it'll cost you $200, 000. It's the same... the relationship is exactly the same.”
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We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
He's this amazing ambassador for all superheroes. What we've made as a film not only examines that but is also an amazing adventure story. It's been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.
It's more like Christmas, you know, when you get a shot in that looks great and it's exactly what you want. It's a great feeling, and there's nothing like it.
I always say, I'm certain I changed 'Watchmen' less than the Coen brothers changed 'No Country for Old Men.' I'm certain of it. But you don't hear the Cormac McCarthy fans, like, up in arms about it. They should be. It's like an amazing Pulitzer Prize-winning book.
