“Marriage of attraction is a gamble anyway, so you might as well marry into a family that is similar to your own, and make that much less of an adjustment. But the 'love marriage', as it is called, is equally common in India now. But it would be interesting to do a comparison of what would work better. Marriage is hard work, and it is a gamble.”
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I often begin movies with music in my head it's a very important dimension to me. Not just the music itself, but how to use music in film: when and how and subtlety. I don't like to be too sweet in my stories, and I like the abrasive clang, the contrasting of sounds and cultures.
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding, ' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
My family is almost exactly like the one in 'Monsoon Wedding'. We are very open, fairly liberal, loud people.
I look for the humanity in people, however big the politics or oppressive the situation may be, whether it's subsumed within a human being or between two human beings. I want to help us hold a mirror to ourselves.
