“Learning how to improvise really awakened my interest in music.”
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Hopefully each film can be given a musical voice of its own, which is not to say that the instrumentation is always unique, but that the relationship between the sound and the image is unique.
John Barry was my hero when I was about 13. His scores to the James Bond movies were the scores of my life back then.
The flow of Guiness into the studio was inspirational as well as nutritive.
Even if I went off to some other career, I hope I would still be doing Coen films.
