“Capucci was the biggest schooling I had. It wasn't just about the technical knowledge, such as color and volume, but also about the secret rules, and the beautiful codes of respect between the atelier and the master.”
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I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
I have made bouquets of pleats, bouquets of flowers, bouquets of ruffles, bouquets of feathers. Often I design in mousseline, held tightly around the waist, and with something else going on all around.
The properties which differentiate living matter from any kind of inorganic imitation may be instinctively felt, but can hardly be formulated without expert knowledge.
The Greeks possessed a knowledge of human nature we seem hardly able to attain to without passing through the strengthening hibernation of a new barbarism.
