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But the building's identity resided in the ornament.
The bungalow had more to do with how Americans live today than any other building that has gone remotely by the name of architecture in our history.
So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent.
What has happened to architecture since the second world war that the only passers-by who can contemplate it without pain are those equipped with a white stick and a dog?
