“History is malleable. A new cache of diaries can shed new light, and archeological evidence can challenge our popular assumptions.”
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I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
I think we too often make choices based on the safety of cynicism, and what we're lead to is a life not fully lived. Cynicism is fear, and it's worse than fear - it's active disengagement.
I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities.
You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living.
