“To go to the Oscars for Moneyball - that was pretty amazing. And to be able to go work with Kathryn Bigelow - that's going to be pretty sweet. Hopefully I don't have to go back to being a waiter. That's still my main goal.”
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When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
It's interesting - I always thought when I was doing more melodramatic stuff like 'Everwood' that the directors were constantly reeling me in and stopping me from being funny.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated, and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
The key is just to ignore the pain, because physical comedy only works if you see someone get hurt and they aren't actually hurt. If someone gets hit in the face with a bat, falls down, and gets back up, it's funny. If they stay down and their jaw is wired shut in the next scene, it's really tragic and weird. You have to pretend it doesn't hurt.
