“French design hardly exists, except as artificial modernism.”
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For me, I am still very happy to be able to do stage design as it's an opportunity to express the extreme.
They say that the best furniture and clothing design from the '50s and '60s is Scandinavian or Milanese.
The universe we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil, no good, nothing but blind, pitiless indifference.
I had been impressed by the fact that biological systems were based on molecular machines and that we were learning to design and build these sorts of things.
