“Big Star invented a vision of bohemian rock & roll cool that had nothing to do with New York, Los Angeles or London, which made them completely out of style in the 1970s, but also made them an inspiration to generations of weird Southern kids.”
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At an incredibly divisive point in pop history, Donna Summer managed to create an undeniable across-the-board experience of mass pleasure - after 'Bad Girls, ' nobody ever tried claiming disco sucked again. It set the template for what Michael Jackson would do a few months later with 'Off The Wall.'
'American Horror' goes for a very specific kind of Seventies suburban downer ambience - 'Flowers in the Attic' paperbacks, Black Sabbath album covers and late-night flicks like 'Let's Scare Jessica to Death.' It even has 'Go Ask Alice'-era urban legends.
Movies for adults sucked in the 1980s, and music for adults sucked even worse whether we're talking about Kathleen Turner flicks or Sting albums, the decade's non-teen culture has no staying power at all.
When I started out as a music journalist, at the end of the 1980s, it was generally assumed that we were living through the lamest music era the world would ever see. But those were also the years when hip-hop exploded, beatbox disco soared, indie rock took off, and new wave invented a language of teen angst.